
So one night after I was forced to skip Arcade Fire at the Greek Theatre in favor of working (don't worry, Mindy and Mark V used the tickets and further solidified the foundation for their inevitable affair), I was more amped up than usual to see Craig Finn and the crew rock the awesome El Rey. And I wasn't disappointed.
My love for and of the band is well established. But unlike the last time I saw them play live, it seems as though the gospel has spread far and wide. By the time the Hold Steady went on at 10:30 (following a cool, but inconsistent set by a fascinating Portland band called Blitzen Tracker and a consistently lame set by an annoying band from Pennsylvania called Illinois [I KNOW!]) the room was completely packed. The crowd was an interesting mix of LA hipsters (just like regular hipsters, but with more expensive ironic clothing), LA fratsters (just like regular fratsters, only they actually surf instead of just pretending to) and cool semi celebs (what's up brothers Corddry?).
But what the crowd lacked in homogeneity (other than being white, 24-35 and upper middle class) they made up for in enthusiasm. Boys and Girls in America ended 2006 at the top of tons of
highly influential best-of lists. Midway through 2007 (I KNOW!) they're playing in front of crowds who not only know all the songs, but dig them enough to sing key parts and raise fists and bop heads for big guitar and drum flourishes. There are a lot of shows where this would be annoying as shit, but with a band as earnest, animated and unadulteratedly rockin' as Hold Steady, it actually kind of works. In fact it totally worked. And it made for a raucous crowd from song one (in this case, "Stuck Between Stations"). Like at any good show, the energy flowed back and forth between the crowd and the band.
And as a result, the band was very keyed up. Just a few nights removed from the friendly, but tiny, confines of Boise's Neumos, the guys were clearly excited to be playing a legendary room in a big-ass city (though I suspect they put just as much into their Boise, Omaha and Grand Rapids shows, that's kind of their thing).
If you haven't seen the Hold Steady play live before it's a pretty unique experience. Craig Finn performs the bejesus out of his songs. He sort of acts out key parts, vamps for the crowd and mouths the previous lyric as he moves about the stage and prepares to attack the mic again. It's much, much cooler than it sounds and it's utterly infectious. "You have to see them live" is as much of a curse for bands as it is a recommendation, but Hold Steady has earned the praise and seems determined to deliver on a nightly basis. The result is a crowd that's 100% engaged from song one (in this case Stuck Between Stations).
And the rest of the band was just as committed to putting on a great show. Guitarist Tad Kubler pretty much looks like a serial killer and absolutely murders on the six string (HEY-OH!)(yeah, sorry about that). He's squarely old-school in his approach to lead guitar - lots of big soloing and intricate fret work. And as much as I may not like that kind of playing in general it's all good in context as punctuations between Finn's epic narratives. All the gooder when Kubler hurls his guitar around his body by the strap in mid-song fervor.
Bobby Drake's drum work was, as always, solid, if a bit hidden in the live show. Franz Nicolay's keyboards, harmonica and accordion take a backseat only to his silent-film-villain mustache and straight-from-the-bottle wine quaffing. The unsung MVP of the live show just might have been bassist Galen Polivka. His intricate rhythms drove the performance and ended up anchoring things even more than the drums. Polivka also provided my favorite moment of last night's show when he took his wallet out in the middle of "Massive Nights" and tossed cash into the crowd with a pronounced look of meta superiority.
So...great crowd, great performance, now what about the music? The set list would be the only mild complaint I had from last night (though that's probably putting it a bit strongly). The 1:30 show was dominated by songs off of the newest album,
Boys and Girls in America. It's a great album and it was clear that the audience was most familiar with (and audibly psyched for) its songs. But for those of us who fell in love with the band on '04's
...Almost Killed Me, there was little reward for the loyalty. Like I said, no biggie, but come on give a guy a "The Swish!" Lots of good stuff off of
Separation Sunday ("Killer Parties" "Cattle and the Creeping Things" "Your Little Hoodrat Friend," you get the idea). And, as I said, we got pretty much all of Boys and Girls. "First Night" remains my favorite song off of the album and is even better live. The moment at the end when it transitions from slow, sweet ballad to aggressive guitar and shout is the pure stuff of awesome. Much like my description of said moment.
All in all one of the best I've been to down here in LA. And seeing
Har Mar Superstar in the crowd sure as hell didn't hurt.
Need I even suggest that you seek the band out if and when they head your way? Because I do. Suggest it I mean. See the question was supposed to be... oh fuck it, never mind.